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The silhouette reads as relaxed rather than structured

She didn't actually wear the dress to prom

So that should make the warm wood dresser feel even more special once it doesnt blend into the floor quite as much

Its actually the shows major Japanese designers (Issey Miyake, Yohji Yamamoto, Rei Kawakubo) that show a more uneasy, or at least tentative relationship to the kimono: Kawakubo, for instance, is often seen as rejecting it, but in one dress on display in the exhibition from Comme des Garons Autumn/Winter 1991, a yuzen artist applies gold and black brushwork just as would have been the case in kimono of Edo times

But even though they go with almost anything, almost anything isnt the same as the right thing

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