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4) uses a rebus, a common semiotic tool in eighteenth-century prints, as a play on the courtesans name and as a kind of doubling, representing the woman as the subject of the painting, and by representing her emblematically in a way which says something about her character and her position (Thom)
These four dresses all came in at a great price, felt comfortable on the body, and, most importantly, looked great in real life, not just on a screen
Features: Ruffled, Layered, Tied, Ruched

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